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Introduction to this Special Issue on the Evolution of Material Culture

机译:关于物质文化演变的特刊介绍

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Scholars have been interested in the history of material culture for centuries, addressing change in artifacts from a wide variety of standpoints including art history, symbolism, and culture history. Artifacts, in these contexts, marked change in the lives of artists, practices and beliefs of the literary and artistic class, and cultural traditions of entire populations (Schlereth 1999). It has only been in recent decades that scholars have initiated rigorous studies of material cultural evolution using Darwinian evolutionary theory. Darwinian analysis of material culture has faced an uphill battle on several fronts. One critical factor was an explicit rejection of Darwinian thinking among prominent anthropologists of the early twentieth century (e.g. Kroeber 1931). Culture historians in the middle decades in the twentieth century generally relied upon a paradigm designed to provide descriptive accounts of artifact inventories as normative markers of particularistic cultural traditions, but generally did not seek any deeper evolutionary explanations of variability.
机译:几个世纪以来,学者们一直对物质文化的历史感兴趣,从艺术史,象征主义和文化史等多种角度探讨了人工制品的变化。在这种情况下,文物标志着艺术家生活的变化,文学和艺术阶级的实践和信仰以及整个人口的文化传统的变化(Schlereth 1999)。直到最近几十年,学者们才开始使用达尔文进化论对物质文化进化进行严格的研究。达尔文对物质文化的分析在几个方面都面临着艰苦的斗争。一个关键因素是二十世纪初杰出的人类学家对达尔文思想的明确拒绝(例如,克罗伯1931年)。二十世纪中叶的文化历史学家通常依赖于一种范式,该范式旨在提供对文物清单的描述性描述,作为特定主义文化传统的规范标记,但通常并没有寻求对变异性的任何更深入的进化解释。

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