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Frankenstein's Daughters: on the Rising Trend of Women's Body Horror in Contemporary Fiction

机译:弗兰肯斯坦的女儿:在当代小说中女性身体恐怖的上升趋势

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摘要

In recent years, works of fiction written by women examining selfhood and the Other in relation to women's physical bodies have been brought to the forefront of literary pop culture. From Carmen Maria Machado's National Book Award-nominated short fiction collection Her Body and Other Parties to "Cat Person," the short story by Kristen Roupenian that "broke the internet" in December of 2017, readers can't seem to get enough of stories and works that openly examine women's relationships with their bodies and how these bodies operate within our world. However, the women in these works often don't quite inhabit our world. By projecting elements of the supernatural and the uncanny onto fictional worlds and the women that inhabit them, female writers are taking the opportunity to use horror fiction to elevate conversations surrounding woman- and selfhood, using the discomfort evoked by body horror to demystify and normalize discussions surrounding women's bodies and their natural functions previously considered grotesque.
机译:近年来,由女性撰写的审视自我和其他与女性身体相关的小说作品被带到了文学流行文化的前沿。从卡门·玛丽亚·马查多(Carmen Maria Machado)获得国家图书奖提名的短篇小说集《她的身体和其他派对》(Her Body and Other Parties)到克里斯汀·鲁佩尼安(Kristen Roupenian)的短篇小说《猫的人》(Cat Person),这部小说于2017年12月“打破了互联网”,读者似乎无法获得足够多的故事和作品来公开探讨女性与其身体的关系,以及这些身体在我们的世界中如何运作。然而,这些作品中的女性往往并不生活在我们的世界里。通过将超自然和神秘的元素投射到虚构的世界和居住在其中的女性身上,女性作家正借此机会利用恐怖小说来提升围绕女性和自我的对话,利用身体恐惧引发的不适感,让围绕女性身体及其自然功能的讨论变得神秘化和正常化,这些讨论以前被认为是荒谬的。

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