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机译:致编辑的信

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摘要

In Isaac Bashevis Singer s prolific Holocaust novel, Enemies: A Love Story (1972), the main character, Herman Broder, sets his eyes into an oscillating motion whenever he needs to deal with stress or anxiety. The books and poems of Native American author Sherman Alexie (1992, 2009) beautifully document how centuries of tribes have utilized the dance, an activity of tactile bilateral stimulation, to cope with distress and heighten performance. Kyra Gaunt (2006) documented how generations of African American girls have used clapping games, double-dutch jump rope, and other bilateral rhythmic activities to transition into adulthood.
机译:在艾萨克·巴什维斯·辛格(Isaac Bashevis Singer)的多本大屠杀小说《敌人:爱情故事》(Enemies:A Love Story,1972)中,主人公赫尔曼·布罗德(Herman Broder)每当需要应对压力或焦虑时,都会把眼神摆开。美洲原住民作家谢尔曼·阿列克谢(Sherman Alexie)(1992,2009)的书籍和诗作精美地记载了几个世纪以来的部落如何利用舞蹈(一种有触觉的双侧刺激活动)来应对痛苦和提高表现。凯拉·冈特(Kyra Gaunt(2006))记录了几代非洲裔美国女孩如何使用拍手游戏,双荷兰跳绳和其他双边节奏性活动来过渡到成年。

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