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The History and Aesthetics of the Classical Film Still

机译:古典电影剧照的历史与美学

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摘要

Dealing with the film still of classical Hollywood films, this article traces the historical development of this photographic genre through an investigation of statements made by 'stillmen' in trade journals such as International Photographer throughout the 1930s and 1940s. In addition, the article discusses the aesthetics of the film still, which implies a specific kind of dealing with light, focus, narrative, time, temporality and the instantaneous. Finally, it investigates how these elements were taken up by some prominent contemporary art photographers and video artists.
机译:通过处理好莱坞经典电影的静像,本文通过对“静止者”在1930年代和1940年代在《国际摄影师》等商业杂志上发表的言论进行的调查来追溯这种摄影类型的历史发展。此外,本文还讨论了电影的美学问题,这暗示着一种特殊的处理光,焦点,叙述,时间,时间和瞬间的方法。最后,它研究了一些著名的当代艺术摄影师和视频艺术家如何吸收这些元素。

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