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The Pocket Camera Moment

机译:袖珍相机时刻

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摘要

"Any school-boy or girl can make good pictures," declared an Eastman Kodak ad for the Brownie box camera soon after it launched in February 1900. It was an astonishing claim, given the unwieldy equipment, arcane chemistry, and extravagant expense of 19thcentury photography. Sold for a dollar and preloaded with film, George Eastman's ultra-portable, one-button cardboard shooter could hardly match professional rigs in image quality, but by sponsoring contests, starting clubs, and charging just pennies for prints, Eastman nurtured something else: photography as a social activity. Eastman sold 150,000 Brownies in the first year. Within a decade nearly a third of Americans owned a camera, and even those who didn't could not avoid the "Kodak freaks" who toted their Brownies everywhere and traded snapshots for their scrapbooks.
机译:1900年2月,伊士曼·柯达(Eastman Kodak)在布朗尼(Brownie)盒式照相机上刊登的广告宣称:“任何男生或女孩都可以拍出好照片。”鉴于设备笨拙,化学物质神秘和19世纪的奢侈消费,这是一个令人惊讶的说法。摄影。乔治·伊士曼(George Eastman)的超轻便,一键式硬纸板射手以1美元的价格售出并预装了胶片,其图像质量几乎无法与专业装备相媲美,但伊斯坦曼通过赞助比赛,开办俱乐部和仅收取几美分的印刷品,培育了其他东西:摄影作为一种社会活动。伊士曼在第一年售出150,000个布朗尼蛋糕。在十年之内,近三分之一的美国人拥有一台相机,即使是那些无法避免“柯达怪胎”的人,他们都到处兜售自己的布朗尼蛋糕,并用快照换取剪贴簿。

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  • 来源
    《Wired》 |2012年第6期|p.8688|共2页
  • 作者

    JONATHON KEATS;

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