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Nonverbal Communication in Medieval Illustrations Revisited by Computer Vision and Art History

机译:计算机视觉与艺术史再探的中世纪插图中的非语言交流

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摘要

This contribution discusses how computer vision combined with art history can analyze the visual codes and artistic representations of embodied communication represented in medieval culture. Our computer-based detection algorithms are able to search directly for gestures in images and thus avoid limitations of retrieval systems that search only textual annotations. As a result, art history is provided not only with a system that enables efficient access to large image datasets, but also a quantitative analysis of the variability and interrelation among gestures or between gestures and other objects. We base our approach on one of four illustrated manuscripts of Eike von Repgow's (ca. 1180-ca. 1235) Sachsenspiegel (Mirror of the Saxons), which reveals a visual grammar that arranges the gestures to a certain extent, but within that framework, the drafter composes freely and with artistic perspective.
机译:这篇文章讨论了将计算机视觉与艺术史相结合如何分析中世纪文化中体现的传播的视觉代码和艺术表现形式。我们基于计算机的检测算法能够直接搜索图像中的手势,从而避免了仅搜索文本注释的检索系统的局限性。结果,不仅为艺术历史提供了一个系统,该系统能够有效访问大型图像数据集,而且还对手势之间或手势与其他对象之间的变异性和相互关系进行了定量分析。我们的方法基于Eike von Repgow(大约1180年至1235年)Sachsenspiegel(撒克逊人的镜子)的四幅插图手稿之一,该手稿揭示了一种视觉语法,该语法在一定程度上但在该框架内安排了手势,起草人自由创作并具有艺术见解。

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