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Reframing Art: Opening Up Art Dealers' Archives to Multi-disciplinary Research

机译:重塑艺术品:开放艺术品经销商的档案以进行多学科研究

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摘要

The archival resources digitally available to scholars have been transforming rapidly in the past few years, an evolution in evidence in museums and galleries as well as in the wider field of art history. This change was, at first, operational: as the use of the Internet became more widespread from the late 1990s onwards, museums, libraries and archives started to place their catalogues online.1 Then, in the first decade of the twenty-first century, projects were developed to digitise selected items from library and archive collections.2 Such projects enabled researchers to gain remote access to flat images of archival material, and the scope of these digitisation projects has only increased in recent years, with more images being added to websites across the world; attention is now turning to the examination and extraction of the data contained in those flat images.3
机译:在过去的几年中,数字化提供给学者的档案资源正在迅速转变,博物馆和画廊以及更广阔的艺术史领域的证据在不断发展。最初,这种变化是可行的:随着互联网的使用从1990年代后期开始变得越来越普遍,博物馆,图书馆和档案馆开始将其目录在线放置。1然后,在二十一世纪的前十年,开发了这些项目以对图书馆和档案馆藏中的选定项目进行数字化处理。2这些项目使研究人员能够远程访问档案资料的平面图像,并且这些数字化项目的范围仅在最近几年有所增加,并且在网站上添加了更多图像世界各地的;现在,注意力转向检查和提取这些平面图像中包含的数据。3

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  • 来源
    《Visual Resources》 |2019年第2期|180-185|共6页
  • 作者

    Alan Crookham; Stuart Dunn;

  • 作者单位

    Research Centre Manager at the National Gallery;

    Department of Digital Humanities at King's College London,;

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  • 原文格式 PDF
  • 正文语种 eng
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