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Stars, Knots, Dragons and Royal Weddings: Badges of the Houses of Braganza and Savoy in a Nineteenth-Century Portuguese Royal Palace

机译:星星,结,龙和皇家婚礼:19世纪葡萄牙皇宫中Braganza和Savoy房屋的徽章

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At the palace of Ajuda - the Lisbon residence of King Luis I of Portugal (1838-1889) and his wife Maria Pia of Savoy (1847-1911) - one of the rooms in the queen's apartments is lined with a damask fabric displaying stars, dragons and knots. At a time when there was a transformation, or even a decline, in the use of royal heraldry, the use of such motives demonstrates how an ancient emblematic system was understood and employed by Queen Maria Pia as an instrument of genealogical self-representation and political visual communication. These emblems, in fact, attempted to revive the medieval badges of the Houses of Braganza and Savoy by showing the historical and symbolic links that united the two lineages. In particular, they highlighted the use of the knot by both dynasties, a shared feature that prefigured the union between the two houses. The commissioning of this fabric was related to other decorative choices in the palace, which also foreshadowed the union of King Luis and Queen Maria Pia, such as the proliferation of historical paintings referring to earlier Braganza and Savoy unions, and the portraits of shared ancestors between the two families. Ultimately, the emblems were used to highlight the prestige of the Portuguese Royal House at a palace that, as the royal residence, was presented as the quintessential symbolic space of the monarchy.
机译:在阿朱达(Ajuda)宫殿中-葡萄牙国王路易斯一世(1838-1889)在里斯本的住所和他的妻子萨瓦伊的玛丽亚·皮亚(Maria Pia)(1847-1911)–女王公寓的其中一间房间里衬有锦缎面料,上面镶满星星,龙和结。在皇家纹章的使用发生转变甚至下降的时候,这种动机的使用说明了玛丽亚·皮亚皇后如何理解和运用古老的象征系统,作为谱系自我表征和政治手段视觉交流。实际上,这些标志试图通过展示将两个血统统一起来的历史和象征联系,来复兴布拉干萨和萨沃伊宫的中世纪徽章。他们特别强调了两个朝代对结的使用,这一共同特征预示了两院之间的联合。这种织物的调试与宫殿中的其他装饰选择有关,这也预示了路易斯国王和玛丽亚·皮亚国王的联合,例如提到早期布拉甘萨和萨沃伊联合的历史画作的激增,以及之间祖先共享的肖像。两个家庭。最终,这些标志被用来突出葡萄牙皇室在一个宫殿中的威望,该宫殿作为皇家住所,被呈现为君主制的典型象征空间。

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