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Artistic communism - a sketch

机译:艺术共产主义-素描

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This essay proposes a contribution to the critique of contemporary capitalism, particularly with regard to its entwinement with culture and, thereby, its creeping subsumption of life more generally - a formation it nominates 'artistic capitalism'. This is confronted by an attempt to reconstruct the deep affinity between the modern ideas of art and communism, especially in the unspoken correspondences between post-Kantian aesthetics and Marx's early writings - the essay formulates the idea of 'artistic communism' to grasp this affinity. But this reconstruction also has the aim of revealing how contemporary capitalist culture comes to appropriate and invert artistic communism, something elaborated through reflecting on the diagnoses of 'culture industry' (Adorno and Horkheimer), 'society of spectacle' (Debord) and labour as 'virtuosity' (Virno). The contention of the essay is that the anti-capitalist re-imagination of communism and art needs to negotiate this appropriation and inversion.
机译:本文提出了对当代资本主义的批判的一种贡献,特别是在它与文化的纠缠以及由此对生活的更普遍的生活包容方面-它提名了“艺术资本主义”。试图重建现代艺术与共产主义思想之间深厚的亲和力,尤其是在后康德后美学与马克思早期著作之间的无声对应中,文章面临着这样的问题:本文提出了“艺术共产主义”的思想来把握这种亲和力。但是,这种重建的目的还在于揭示当代资本主义文化如何变得恰当并颠倒艺术共产主义,通过反思对“文化产业”(Adorno和Horkheimer),“景象社会”(Debord)和劳动作为的诊断来进行阐述。 'virtuosity'(Virno)。本文的论点是,反资本主义对共产主义和艺术的重新想象需要协商这种挪用和倒置。

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