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SOFT POWERING THE EMPIRE: BRITISH MILITARY BANDS, INFLUENCE AND CULTURAL IMPERIALISM IN THE TWENTIETH CENTURY

机译:赋予帝国权力的软实力:20世纪的英国军乐队,影响力和文化帝国主义

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摘要

In the inter-war years, it was important for Britain to preserve friendly relations and influence throughout its empire to maintain competitive advantage in markets in a time of austerity. One way of doing this was through the export of cultural imperialism, and colonial administrations in particular were keen to maintain their hold over indigenous populations by preserving the cultural ideologies and brand (and thereby associated power) of the mother country. David Hammond argues that the military band was a particularly effective and economical resource for this: through the expression of British symbols, routines and rituals, they epitomised the British control systems and power structures without the need for 'hard power' engagement.
机译:在两次世界大战之间,对于英国来说,在整个紧缩时期保持整个帝国的友好关系和影响力以维持市场竞争优势非常重要。做到这一点的一种方法是通过输出文化帝国主义,特别是殖民地政府热衷于通过保留母国的文化意识形态和品牌(从而具有相关权力)来保持对土著人口的控制权。戴维·哈蒙德(David Hammond)认为,军乐队对此是一种特别有效和经济的资源:通过表达英国的象征,惯例和仪式,他们成为了英国控制系统和权力结构的缩影,而无需“硬实力”的参与。

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  • 来源
    《The RUSI journal》 |2013年第5期|90-96|共7页
  • 作者

    DAVID HAMMOND;

  • 作者单位

    Open University;

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  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类
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