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Paul Valry on Photography: A Poetic Writing of Light and Time

机译:保罗·瓦利(Paul Valry)摄影:光与时间的诗意写作

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摘要

This article studies Paul Valry's personal reflection on photography, as it appears in his essay “Le Discours du Centenaire de la Photographie,” based on a speech given at the Sorbonne in 1939 to members of the French Academy. It stresses the relationship between this essay and the French poet's writings on painting and aesthetics, in particular his work on Corot. Moreover, it analyzes the synthetic character of Valry's critical approach, which attempts to bring together the language of poetry, philosophy and science when dealing with this utterly modern visual language. Photography is celebrated here as a unique art form that can at the same time imitate and reproduce nature perfectly, while allowing mankind to create a cosmological vision of life and the universe. In other words, the poet underlines in this text the utmost modernity of photography, at a time when many in France were still reluctant to acknowledge its artistic identity.
机译:本文是根据1939年在索邦大学(Sorbonne)向法国科学院院士所做的演讲,研究保罗·瓦利(Paul Valry)对摄影的个人反思,该反思发表在他的论文《摄影的百年纪念》中。它强调了本文与法国诗人关于绘画和美学的著作之间的关系,特别是他关于科罗的著作。此外,它分析了瓦利批判性方法的综合特征,该方法试图在处理这种完全现代的视觉语言时将诗歌,哲学和科学语言结合在一起。在这里,摄影被认为是一种独特的艺术形式,它可以同时模仿和再现自然,同时又可以使人类创造出对生命和宇宙的宇宙观。换句话说,在法国许多人仍然不愿承认其艺术身份的时候,诗人在本文中强调了摄影的最高现代性。

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  • 来源
    《The European Legacy》 |2009年第6期|685-695|共11页
  • 作者

    Pierre Taminiaux;

  • 作者单位

    Department of French, Georgetown University, Washington DC, USA;

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  • 原文格式 PDF
  • 正文语种 eng
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