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CZWG/SOUTH CENTRAL

机译:CZWG / SOUTH CENTRAL

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摘要

'CZWG', Deyan Sudjic wrote back in 1988,'aren't Utopians. They are interested in doing what they can with the material at their disposal'. CZWG partner Piers Gough, for sure, has never regarded the adjective 'commercial', when used of his architecture, as negative criticism. 'We do it for money,' he quips. Gough is refreshingly adept at underselling his own work, though there has always been a serious architect behind the throwaway lines. Back in the '80s, CZWG made its name with colourful, pop, 'B-movie' architecture that could be broadly described as Post-Modernist - a term that has since lost currency and meaning. Its work remains decidedly expressive and unrestrained, but in a manner that now seems more mainstream. The recently completed housing project at Steedman Street, off south London's Walworth Road, certainly has none of the more obvious historical references and visual jokes of yesteryear.
机译:Deyan Sudjic在1988年写道:“ CZWG”不是乌托邦人。他们有兴趣尽其所能处理材料”。毫无疑问,CZWG合伙人Piers Gough从未将形容词“商业”(当用于他的建筑时)视为负面批评。他打趣道:“我们这样做是为了钱。”高夫(Gough)擅长于推销自己的作品,尽管在弃用物品线后一直有认真的建筑师。上世纪80年代,CZWG以色彩鲜艳,流行的“ B电影”架构而得名,该架构可广泛地描述为后现代主义者,此后失去了货币和意义。它的工作仍然表现力十足,不受限制,但是现在看来已经成为主流。在伦敦南部沃尔沃斯路(Walworth Road)南部的Steedman Street上,最近完成的住房项目无疑没有任何比以往更明显的历史参考和视觉笑话了。

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