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Night of the undead

机译:亡灵之夜

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摘要

In Barcelona for the World Architecture Festival, Astragal attended the opening soiree in what turned out to be the World Building of the Year, Media-TIC by Cloud 9 Architects. The building has an impeccable green theme, both in its environmental credentials and general appearance, but the sickly green light {above) emanating from the fittings that drenched party-goers throughout the evening had the unfortunate effect of making everyone (jet-lagged or not) look as if though they were auditioning for Dawn of the Dead. Hats off to Stanton Williams, the only UK finalist in the World Architecture Festival completed buildings awards, for the Sainsbury Laboratory in Cambridge. Their reconciliation of plant science and the messier world of nature and landscape was probed by the super-jury after the scheme won the 'learning' category a day earlier. Did the long elevation, with its slightly relentless bays, suggest that the building was about measurement rather than the natural world? Yes, was the perfectly sensible answer.
机译:在巴塞罗那举行的世界建筑节上,阿斯特拉加尔(Astragal)参加了开幕式晚会,该晚会被评为Cloud 9 Architects颁发的Media-TIC年度世界最佳建筑奖。该建筑物在环境和总体外观上均具有无可挑剔的绿色主题,但是整个晚上洒满派对人士的装置发出的令人生病的绿光(上方)产生了不幸的后果,使每个人(无论是否有喷气飞机时差) ),好像他们在试听《黎明的黎明》。向世界建筑节上唯一的英国决赛入围者斯坦顿·威廉姆斯(Stanton Williams)致敬的是剑桥大学的塞恩斯伯里实验室(Sainsbury Laboratory)。该计划在一天前赢得“学习”类别后,由超级陪审团探讨了他们对植物科学与混乱的自然与景观世界的和解。长长的高高耸立的海湾有无情的海湾,是否表明该建筑是关于测量而非自然世界的?是的,这是完全明智的答案。

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    《The architects' journal》 |2011年第15期|p.16|共1页
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