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The tortoise & the hare

机译:乌龟和野兔

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Isit in the Espresso Bar of the National Theatre, exchanging Denys Lasdun stories with Steve Tompkins. Steve is a director of Haworth Tompkins, architect of the NT Future redevelopment of Lasdun's masterwork, its first phase due to finish next year. Out of the corner of my eye I see the entrance to The Shed, a temporary theatre docked against the National and opened in April as part of this enterprise. The whole complex is steeped in legend. It's said Lasdun drank a bottle of whiskey every day while working on the National and that the project architect was taken off site in a straightjacket. 'Denys was one of them,' Lasdun's partner John Hurley once said, likening him to former National director Lawrence Olivier. 'He was larger than life.' Lasdun's appointment was announced on the day JFK was assassinated and the National opened in the year the Sex Pistols recorded Anarchy in the UK. From '60s positivism to chaos in 13 years.
机译:Isit位于国家大剧院的浓缩咖啡吧,与Steve Tompkins交流了Denys Lasdun的故事。 Steve是Haworth Tompkins的董事,Hasworth Tompkins是Lasdun杰作的NT Future重建的建筑师,该项目的第一阶段将于明年完成。在我的眼角之外,我看到了The Shed的入口,那是一个临时剧院,紧靠国家博物馆,并于4月开业,是该企业的一部分。整个建筑群充满传奇色彩。据说Lasdun每天在National上工作时都喝一瓶威士忌,而项目建筑师则穿着直筒外套被带离现场。拉斯敦的合伙人约翰·赫利曾说过:“丹尼斯就是其中之一。”他把他比作前国家导演劳伦斯·奥利维尔。 “他比生活大。”肯尼迪·肯尼迪遇刺案当天就宣布了Lasdun的任命,《国民手枪》在英国公开录制无政府状态的那一年就开放了。从60年代的实证主义到13年的混乱。

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