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DISTANCE LENDS ENCHANTMENT

机译:距离镜头附魔

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Faced with David Maisel's photographs of huge gold or copper mines in the American West, it might seem perverse to think of 18th-century Shropshire, but that's where their story begins. Not just because that county is usually seen as 'the cradle of the Industrial Revolution', but because pictures of its key sites were quickly in demand. For artists like Philippe Jacques de Loutherbourg, the ironworks at Coalbrookdale were a profitable source of imagery - a typical painting of his in London's Science Museum shows them silhouetted at night against a backdrop of flames. It was clear that Edmund Burke's A Philosophical Enquiry into the Origin of Our Ideas of the Sublime and Beautiful (1757) didn't just apply to natural phenomena - there was also an industrial or technological sublime.
机译:面对戴维·梅瑟尔(David Maisel)在美国西部的大型金矿或铜矿的照片,想到18世纪的什罗普郡似乎有些悖论,但这就是他们的故事的起点。不仅因为该县通常被视为“工业革命的摇篮”,还因为其关键地点的图片需求量很大。对于像菲利普·雅克·德·卢瑟堡(Philippe Jacques de Loutherbourg)这样的艺术家,Coalbrookdale的铁厂是可获利的图像来源-他在伦敦科学博物馆的一幅典型画作显示,他们在夜晚映衬在火焰下。显然,埃德蒙·伯克(Edmund Burke)的《对我们崇高与美丽思想起源的哲学研究》(1757)不仅适用于自然现象-还有工业或技术上的崇高。

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