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THE CHURCH STUDIOS,LONDON N8 WALTERS-STORYK DESIGN GROUP

机译:伦敦N8沃尔特史托克设计集团的教堂

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Transitioning from Gothic house of worship to contemporary 'cathedral of sound', The Church Studios preserved its massive stone facade but repurposed its cavernous interior to accommodate a musical, rather than ecclesiastical, mission. Soaring ceilings and a fortress-like construction (c. 1855) gave musician Dave Stewart, who built the original studio in 1984, a wealth of incomparable acoustic recording options. However, when producer Paul Epworth purchased the studio in 2013, acoustic tests prior to a partial demolition required for a technology upgrade revealed a dearth of isolation between Studio 2's live and control room walls and the 74m~2 Studio 1 live room. A straightforward installation to upgrade the control room with a powerful Walters-StoryK Design Group/Augspurger monitor system became far more complex. The architect/acousticians and studio installation/operational experts reconfigured their initial plans and developed a totally new design programme to assure recording artists they would have total acoustic isolation. Wayne Head, architect director, BDP.
机译:从哥特式礼拜堂过渡到当代的“声音大教堂”,教堂工作室保留了巨大的石材立面,但重新布置了其海绵状内部,以适应音乐而不是教会的使命。高耸的天花板和类似堡垒的建筑(约于1855年)为音乐家戴夫·斯图尔特(Dave Stewart)带来了无与伦比的录音选择。音乐家1984年成立了原始录音室。但是,当制作人Paul Epworth在2013年购买录音室时,在进行技术升级所需的部分拆除之前的声学测试表明,录音室2的直播室和控制室墙壁与74m〜2录音室1直播室之间缺乏隔离。通过功能强大的Walters-StoryK Design Group / Augspurger监控系统直接升级控制室的安装变得更加复杂。建筑师/声学家和工作室安装/运营专家重新配置了他们的最初计划,并开发了全新的设计程序,以确保录音艺术家将获得完全的隔音效果。 BDP架构师Wayne Head。

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    《The architects' journal》 |2015年第3appa期|20-2224-2628-29|共8页
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