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首页> 外文期刊>Television & new media >Prison Break General Gabbery: Extra-Hyperdiegetic Spaces,Power, and Identity in Prison Break
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Prison Break General Gabbery: Extra-Hyperdiegetic Spaces,Power, and Identity in Prison Break

机译:越狱一般的奴隶制:越狱空间,越权和越狱身份

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摘要

This article examines the interdependent relationship among the text, its producers, and "extra-hyperdiegetic space" constructed around the romantic relationship between Michael and Sara, the central protagonists of the Prison Break television series. The Prison Break creators have created extensive digital and analogue platforms to create an extended textual experience that constructs a close text-audience relationship. The digital and analogue platforms construct a space that is inhabitable by fans, one in which to express their own desires. This article explores the online material generated by fans (the most prevalent artifact of this extended space is the Prison Break fan fiction) as well as material released outside the story by producers on their blogs and official promo sites related the show and examines the interconnected (however mediated) relationship among these different spaces in relation to the increasingly romanticized and melodramatic relationship between Michael and Sara.
机译:本文研究了文本,其制片人和围绕“越狱”电视剧的主要人物迈克尔和萨拉之间的浪漫关系而构建的“超矫形空间”之间的相互依存关系。越狱创作者创建了广泛的数字和模拟平台,以创建扩展的文本体验,从而建立了紧密的文本-听众关系。数字和模拟平台构成了一个可供粉丝居住的空间,可以在其中表达自己的愿望。本文探讨了粉丝产生的在线资料(此扩展空间中最流行的艺术品是越狱粉丝小说),以及制片人在故事之外的故事之外由制片人在与展览相关的博客和官方促销网站上发布的资料,并研究了相互关联的(然而,这些不同空间之间的关系与迈克尔和莎拉之间日益浪漫化和戏剧化的关系有关。

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