Making Conversation

摘要

In the movie Her, which was nominated for the Oscar for Best Picture this year, a middle-aged writer named Theodore Twombly installs and rapidly falls in love with an artificially intelligent operating system who christens herself Samantha. Samantha lies far beyond the faux "artificial intelligence" of Google Now or Siri: she is as unambiguously conscious as any human. The film's director and writer, Spike Jonze, employs this premise for limited and prosaic ends, so the film limps along in an uncanny valley, neither believable as near-future reality nor philosophically daring enough to merit suspension of disbelief. Nonetheless, Her raises questions about how humans might relate to computers. Twombly is suffering a painful separation from his wife; can Samantha make him feel better?