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Neurological perception and sound-based creativity in post-biological realities: Recontextualizing reflective practice for technoetic environments

机译:后生物现实中的神经学知觉和基于声音的创造力:重新思考技术环境中的反思性实践

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We currently exist in a post-biological age. Mixed-realities shape the way in which we live modern life; half in physical form, half in a hyper-mediated virtual environment of network protocols. This article discusses network-based impacts on neurological navigation and the ways inwhich the human auditory cortex is developing through conjuncture with post-biological combinations of sound. In doing so, it examines the capacity of the human brain in decoding and understanding the abundance of sound in confluent, variegated realms of existence and how such increased perceptionsexpand consciousness and, in turn, affect sonic creativity as a somewhat mimicry or response to our immediate auditory environments. Conclusively, it will be argued that the exploration of sound-based creativity can be reinterpreted for post-biological spaces, taking particular aim at thereflective approaches of musique concrète and how such technologically infused ideas can be transformed and recontextualized to match the power and capacity of today’s hybrid environments of occupancy.
机译:我们目前存在于后生物时代。混合现实塑造了我们现代生活的方式。一半以物理形式出现,一半在网络协议的超中介虚拟环境中出现。本文讨论了基于网络的对神经学导航的影响以及人类听觉皮层通过与声音的后生物学结合而发展的方式。在此过程中,它研究了人类大脑解码和理解汇合的,多样化的生存境界中丰富的声音的能力,以及这种增加的感知如何扩展意识,进而在某种程度上模仿或回应了我们的直觉,从而影响了声音的创造力。听觉环境。结论是,可以论证对后生物空间的声音创造力的探索可以重新诠释,特别是针对音乐博物馆的反思方法,以及如何将这种技术融合的观念转化和重新诠释,以使其与之相匹配。当今的混合居住环境。

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