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Eat, pray, love mimic: Female citizenship and otherness

机译:吃,祈祷,热爱模仿:女性公民身份和其他

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摘要

Looking at Asia and the Asian Diaspora as a geopolitical post-colonial space, this paper aims to examine the role of travel and tourism as a sign of modernity and how it influenced and reconstruct the use of existing spatial gender categorization in cultural practices. Through the understanding of tradition as a fluid bodily knowledge in contemporary cultural political economics, this paper questions the intervention and innovation of the female bodies in Asian global tourism and indigenous Diaspora subjects within globalization. Based on the novel Eat, Pray, Love, by Elizabeth Gilbert, to mediate the analysis of the effect on space in cultural modernity, in the construction of otherness, which provokes the understanding of other culture as ‘non-modern’ yet reiterating tourism as one of the possible mechanism to mediate this encounter in bringing the ‘un-modern’ cultural practices to the world of modernity. This paper seeks to discuss the invisibility and visibility of female bodies in tourism space and cultural imagination by using specific examples of various events mentioned in the book that convey contradictory memories and values to local citizens and, in the meanwhile, the space and events are re-appropriated again for the purpose of globalized concern.
机译:本文将亚洲和亚洲侨民视为一个地缘政治的后殖民空间,旨在研究旅行和旅游业作为现代性标志的作用,以及它如何影响和重构文化实践中现有空间性别分类的使用。通过将传统理解为当代文化政治经济学中的一种流动的身体知识,本文对女性在亚洲全球旅游业和全球化中的海外侨民学科中的干预和创新提出了质疑。以伊丽莎白·吉尔伯特(Elizabeth Gilbert)的小说《吃,祈祷,爱》为基础,通过调解分析了文化对现代性空间的影响以及对他人的建构,这激起了人们对其他文化的“非现代”理解。重申旅游业是将这种“非现代”文化习俗带入现代世界的一种可能的机制,可以调解这种相遇。本文力图通过书中提到的各种事件的具体例子来探讨女性尸体在旅游空间和文化想象中的隐身性和可见性,这些事件向当地公民传达了矛盾的记忆和价值,同时,空间和事件是为了全球化的关注而再次使用。

著录项

  • 来源
    《South Asian Popular Culture》 |2010年第1期|p.89-95|共7页
  • 作者

    R. Diyah Larasati;

  • 作者单位

    Theatre Arts and Dance, University of Minnesota, Minneapolis, USAAuthor biographies;

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  • 正文语种 eng
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