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Living with fame: Geri and Living with Michael Jackson

机译:有名气的生活:杰里和与迈克尔·杰克逊的生活

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This article will examine two recent and contrasting British television documentaries about particular stars/celebrities from the world of popular music - Geri (Channel 4, 1999) and Living with Michael Jackson (ITV, 2003). Geri comes from the British documentary film-maker/auteur Molly Dineen's journey with Geri Halliwell shortly after she had left the group The Spice Girls, and Living with Michael Jackson features the journalist/reporter Martin Bashir's encounter with the former member of the Jackson Five. These documentary encounters can be contrasted in terms of their form and institutional context of production and through the similarity to and difference from reality television formats. Dineen and Bashir share a fascination with trying to make sense of the process of fame and celebrity through the privileged private access they are given to the high-profile individuals who have agreed to be their subjects. In each case what is revealed is as much a reflection of the disposition of the filmmaker reporter/mediator towards celebrity and fame as it is a revelation on the process of fame and celebrity. What emerges from each of the interactions is a struggle between Dineen and Bashir and their subjects. The stars are both concerned with the process of negotiating change and adversity in the overlap between their private lives and the public image they endeavour to manage and project. These two documentaries represent two editions of the outcome of this meeting. Together they illustrate, rather than offer an understanding of, how television feeds on the public fascination with celebrity and the destructive and even murderous nature of our relation to celebrity suggested by Jacqueline Rose in the wake of the death of Diana.
机译:本文将研究两部最近的英国电视纪录片,它们分别来自流行音乐界的特定明星/名人,分别是格里(1999年第4频道)和迈克尔·杰克逊同居生活(ITV,2003年)。盖瑞(Geri)来自英国纪录片电影制片人/代言人莫莉·迪宁(Molly Dineen)离开吉里·哈利韦尔(Geri Halliwell)后不久,她离开了《辣妹们》(The Spice Girls),《与迈克尔·杰克逊同住》(Live and with Michael Jackson)则是记者/记者马丁·巴希尔(Martin Bashir)与杰克逊五世前成员的相遇。这些纪录片的相遇可以在形式和制作环境上以及与现实电视格式的相似和不同方面进行对比。迪内恩(Dineen)和巴希尔(Bashir)着迷于试图通过享有特权的私人通道,使成名和名人的过程变得有意义,这些特权是授予已同意成为其主题的知名人士的。在每种情况下,所揭示的内容都充分反映了电影制片人记者/调解人对名人和成名的态度,同时也反映了成名和成名的过程。每次互动中出现的都是迪尼(Dineen)和巴希尔(Bashir)及其臣民之间的斗争。明星们都关心谈判变化和逆境的过程,这些过程涉及他们的私人生活与他们努力管理和投射的公众形象之间的重叠。这两部纪录片代表了这次会议成果的两个版本。它们共同说明而不是提供理解,电视如何以大众对名人的迷恋以及戴安娜死后杰奎琳·罗斯(Jacqueline Rose)暗示的与名人关系的破坏性甚至谋杀性为基础。

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