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Women and eloquence in Shakespeare and Austen

机译:莎士比亚和奥斯丁的女性与口才

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Avoiding stereotypes, the female characters of both Shakespeare and Austen have recognizable voices, a linguistic competence that is confident and wonderfully varied as these young women make their way in their various worlds. Both writers' creativity in the comic and romance genres centres on allowing their female characters to speak with eloquence, and making their speech or silence a vital element of the plot. Austen, who knew her Shakespeare well, may have been influenced in her use of Shakespearean models for her eloquent heroines by the rise of the Shakespearean comedy actress in the second half of the eighteenth century. She a??rewritesa?? Shakespeare's women and their plots to suit her own culture - to make them contemporary, particularly in relation to gender issues. Further, the effective speeches of her heroines utilize rhetorical tropes and structures similar to those found in the speeches of Shakespeare's eloquent women, as my analyses show. The eloquence of the heroines of both writers is a rich and complex appropriation of the masculine tradition of rhetoric.View full textDownload full textKeywordsAs You Like It, Love's Labour's Lost, Measure for Measure, Much Ado About Nothing, King John, The Merchant of Venice, The Merry Wives of Windsor, The Taming of the Shrew, The Winter's Tale, Twelfth NightRelated var addthis_config = { ui_cobrand: "Taylor & Francis Online", services_compact: "citeulike,netvibes,twitter,technorati,delicious,linkedin,facebook,stumbleupon,digg,google,more", pubid: "ra-4dff56cd6bb1830b" }; Add to shortlist Link Permalink http://dx.doi.org/10.1080/17450918.2010.527438
机译:避免刻板印象,莎士比亚和奥斯丁的女性角色都具有可识别的声音,这是一种语言能力,充满自信,并且随着这些年轻女性在各个世界中的发展而变化多样。两位作家在喜剧和浪漫小说类型中的创造力都集中在让女性角色能够雄辩而雄辩,并将其言论或沉默作为情节的重要组成部分。奥斯丁非常了解莎士比亚,但由于莎士比亚喜剧演员在18世纪下半叶的崛起,莎士比亚为雄辩的女主角们使用莎士比亚模特时可能受到了影响。她一个?重写sa?莎士比亚的女性及其情节适合她自己的文化-使她们具有现代感,尤其是在性别问题上。而且,正如我的分析所表明的那样,她女主人公的有效演说利用了修辞上的比喻和结构,类似于莎士比亚雄辩的女性的演说中所见。两位作家的女主人公的口才是对雄辩修辞学传统的丰富而复杂的使用。 ,温莎风流的妻子,驯悍记的雪橇,冬天的故事,第十二夜,digg,google,more“,发布号:” ra-4dff56cd6bb1830b“};添加到候选列表链接永久链接http://dx.doi.org/10.1080/17450918.2010.527438

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    《Shakespeare》 |2010年第4期|463-477|共15页
  • 作者

    Penny Gay;

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