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Rendering Shakespeare, war and race in present-day Israel

机译:在当今以色列渲染莎士比亚,战争和种族

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How are war and race rendered in two recent productions, in 2008, of Richard III in Tel Aviv and of Othello in Jerusalem? In what ways might the Israeli production of Richard III be compared with a current British reading of the play's presentation of war, such as that to be found in Simon Barker's recent book? What are the effects of the Jerusalem performance of Othello in the light of the director's decision to substitute for the word a??Moora?? in the text, the word a??Araba?? in performance, as well as to play Othello as an Arab? Against these Israeli renderings of Shakespeare, finally, how does Shakespeare's The Merchant of Venice render its Jew? The essay attempts to draw on the computer graphics sense of the word a??renderinga??, as well as concepts of the dialogic and the affiliatory to further explore these issues.View full textDownload full textKeywords Othello , Richard III , The Merchant of Venice , renderings, war, race, affiliatory, dialogicRelated var addthis_config = { ui_cobrand: "Taylor & Francis Online", services_compact: "citeulike,netvibes,twitter,technorati,delicious,linkedin,facebook,stumbleupon,digg,google,more", pubid: "ra-4dff56cd6bb1830b" }; Add to shortlist Link Permalink http://dx.doi.org/10.1080/17450911003643019
机译:在最近的两部作品(2008年,特拉维夫的理查德三世和耶路撒冷的奥赛罗)中,战争和种族的表现如何?以色列生产的理查德三世的作品可以用什么方式与英国目前对这部戏剧的战争表现的解读进行比较,例如在西蒙·巴克(Simon Barker)的新书中可以找到?鉴于导演决定替代a ?? Moora ??一词,奥赛罗在耶路撒冷的表现有何影响?在文本中,单词a ?? Araba?在表演中,以及扮演阿拉伯人的奥赛罗?最后,针对以色列的莎士比亚作品,莎士比亚的《威尼斯商人》如何呈现犹太人形象?本文试图利用计算机图形学中的“ renderinga”一词以及对话和从属的概念来进一步探讨这些问题。查看全文下载全文关键字Othello,Richard III,威尼斯商人,效果图,战争,种族,隶属关系,对话相关的var addthis_config = {ui_cobrand:“泰勒和弗朗西斯在线”,servicescompact:“ citeulike,netvibes,twitter,technorati,delicious,linkedin,facebook,stumbleupon,digg,google,更多”,pubid :“ ra-4dff56cd6bb1830b”};添加到候选列表链接永久链接http://dx.doi.org/10.1080/17450911003643019

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  • 来源
    《Shakespeare》 |2010年第1期|74-89|共16页
  • 作者

    Martin Orkin;

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  • 正文语种 eng
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