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Adapt and Survive

机译:适应并生存

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We all like our architectural moments. Those times when we look at a new building and go: that wasn't what I expected, at all. That's... different. These moments, in recent years, have come all too seldom. There has been a distinct lack of manifesto-led, dogma-driven, table-overturning or just stop-in-your-tracks original architecture. Perhaps we are sated. With even the maverick likes of postmodernist FAT now accepted as mainstream, with Will Alsop strangely quiet, with OMA making the preposterous routine, with Central Asian regimes buying into Zaha/Schumacher paramet-ricism, Malaysian developers building dRMM in Battersea, and the Stirling Prize won by a restored castle - what's next, sensation-seekers? I've pondered many possibilities recently but there is one development I really did not see coming: the revival of Art Deco at Tate Britain.
机译:我们都喜欢我们的建筑时光。那些时候,当我们看着一栋新大楼去:那根本不是我所期望的。那不一样。近年来,这些时刻很少出现。明显缺乏以宣言为主导,教条驱动,表翻转或仅停留在原轨道上的原始体系结构。也许我们很满意。甚至连后现代主义者FAT的特立独行者如今都已成为主流,威尔·阿尔索普(Will Alsop)显得异常安静,OMA成为荒谬的常规,中亚政权购买了Zaha / Schumacher的参数主义,马来西亚开发商在巴特西(Battersea)建立dRMM,并获得了斯特林奖由一座经过修复的城堡赢得的胜利-追求魅力的人接下来要做什么?我最近考虑了很多可能性,但是确实没有看到一个进展:泰特美术馆(Tate Britain)Art Deco的复兴。

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    《RIBA Journal》 |2013年第12期|41-41|共1页
  • 作者

    Hugh Pearman;

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