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Historical Dictionary of Renaissance Art

机译:文艺复兴时期历史词典

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Somebody tell me if it has already been done, but could someone from Scarecrow write a history of their reference books? Scarecrow Press books (why "Scarecrow"?) seem to have been with us for ever. While not, perhaps, the most elegant or sophisticated works in the pantheon of reference books, there does seem to be a plentiful supply of their titles on our shelves. Their functionality, subject matter, reasonable prices, or something, clearly appeals. So I welcome the appearance of another "Scarecrow", although with a 30-page chronology, 48-page introduction, and 53-page bibliography, not to mention a 462-page, A-Z dictionary sequence, I think compiler Professor Zirpolo of Rutgers University has reached the limits of the format, or been unduly indulged! In the case of the little clutch of illustrations of works of art buried in the middle of this thick volume, maybe the limits have been exceeded, since they are of poor quality, very grey, and not even referenced to, or from, the dictionary entries! A hasty last-minute bad thought, perhaps? The Renaissance, though, is a big subject, and this book is a bold attempt to cover it in a one easy-to-use volume.
机译:有人告诉我是否已经完成,但是稻草人中的某人可以写下他们的参考书的历史吗?稻草人出版社的书籍(为什么是“稻草人”?)似乎永远伴随着我们。虽然可能不是参考书的万神殿中最精美或最精致的作品,但在我们的书架上似乎确实有大量的书名。它们的功能,主题,合理的价格或其他东西显然很有吸引力。因此,我欢迎另一个“稻草人”的出现,尽管有30页的编年史,48页的介绍和53页的书目,更不用说462页的AZ词典序列了,我认为是罗格斯大学的编译器Zirpolo教授已达到格式的极限,或者过分沉迷!对于埋藏在这么厚厚的书卷中间的艺术品插图,可能是超出了限制,因为它们的质量很差,非常灰暗,甚至没有引用或引用过词典参赛作品!最后一刻仓促的坏主意,也许?不过,文艺复兴时期是一个很大的主题,而这本书是一次大胆的尝试,以一个易于使用的方式将其覆盖。

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