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Between Aesthetics, the Coconstruction of Empathy, and the Clinical

机译:在美学,共情与临床之间

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This coauthored article highlights the significant connections between psychoanalytic theory, aesthetics, and clinical practice. First, Carol M. Press, a modern dancer and choreographer, brings her experience in the field of artistic movement to bear on the issues of aesthetics as it plays out through subjectivity, intersubjectivity, empathic understanding, and implicit knowledge. The relevance of an aesthetic sense of self to the quality of relationships is traced to the earliest developmental moments between infant and caregiver, implicit procedural memory, and the coconstruction of empathic bonds. Then therapist George Hagman elaborates on the multifacted aesthetic dimension and skillfully provides a clinical example to illustrate “the intersubjective interactional nature of the aesthetic dimension of analysis,” reflected in multiple components of the psychoanalytic relationship. Hagman demonstrates how the aesthetic dimensions of the relationship between him and his patient, Jim, contribute to both the empathic process and the therapeutic change. His agonizingly uncomfortable engagement with Jim is a source of empathic understanding as they proceed together so that changes emerge in the aesthetic dimension of their relationship, “the feeling of our being together,” illustrating the importance of aesthetic sensibility in the therapeutic dialogue and everyday human experience.View full textDownload full textRelated var addthis_config = { ui_cobrand: "Taylor & Francis Online", services_compact: "citeulike,netvibes,twitter,technorati,delicious,linkedin,facebook,stumbleupon,digg,google,more", pubid: "ra-4dff56cd6bb1830b" }; Add to shortlist Link Permalink http://dx.doi.org/10.1080/07351690903206165
机译:这篇合着的文章强调了精神分析理论,美学和临床实践之间的重要联系。首先,现代舞者和编舞家Carol M. Press通过主观性,主体间性,同理心理解和内隐知识将艺术运动领域的经验与美学问题联系起来。审美自我感与人际关系质量的相关性可以追溯到婴儿和照顾者之间最早的发展时刻,内隐的程序记忆以及共情纽带的共同构建。然后,治疗师乔治·哈格曼(George Hagman)详细阐述了多元美学维度,并巧妙地提供了一个临床实例来说明“分析美学维度的主体间互动性质”,这反映在心理分析关系的多个组成部分中。哈格曼证明了他和他的病人吉姆之间关系的美学维度如何对移情过程和治疗改变做出了贡献。当他和吉姆在一起时,他痛苦不堪的交往是移情理解的源泉,因此他们的关系的美学维度(“我们在一起的感觉”)出现了变化,说明了审美敏感性在治疗中的重要性。对话和日常的人的经历。 pubid:“ ra-4dff56cd6bb1830b”};添加到候选列表链接永久链接http://dx.doi.org/10.1080/07351690903206165

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