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Sougwen Chung

机译:钟秀文

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Sougwen chung's work isn't easily definable, and she's not one to place clear-cut labels, such as designer, artist or illustrator, on herself, either. "Don't we live in a cultural moment in which those categorical considerations matter less and less?" she says. "I like that creativity is becoming more amorphous, more adaptable, more interdisciplinary." One of her favorite works is an installation called "Chiaroscuro" that she showed at the Museum of Contemporary Art in Geneva last May. It was an illuminated sculptural drawing that filled the space of the museum, and Chung paired it with music from Brooklyn-based composer Praveen Sharma, along with nested and projected light. "The installation utilized layers of light and shadow to showcase the expressive capacity for organic abstraction to entrance and captivate an audience," she says. "It communicated genuine moments of surprise and wonder."
机译:崇文的作品很难定义,她也不是一个在自己身上贴上清晰标签的人,例如设计师,艺术家或插画家。 “我们不是生活在一个文化时刻,在这些时刻,分类的考虑越来越重要了?”她说。 “我喜欢创造力变得越来越不稳定,更具适应性,更跨学科。”她最喜欢的作品之一是去年5月在日内瓦当代艺术博物馆展出的名为“ Chiaroscuro”的装置。这是一幅充满照明的雕塑作品,充满了博物馆的整个空间,Chung将其与布鲁克林作曲家Praveen Sharma的音乐以及嵌套和投射的灯光配对。她说:“装置利用光与影的层次来展示有机抽象的表现力,以吸引并吸引观众。” “它传达了真正的惊喜和惊奇时刻。”

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    《Print》 |2014年第2期|66-67|共2页
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