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首页> 外文期刊>Popular Music & Society >Between Art for Art's Sake and Musical Protest: How Musicians from Beirut React to War and Violence
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Between Art for Art's Sake and Musical Protest: How Musicians from Beirut React to War and Violence

机译:在艺术艺术和音乐抗议之间:贝鲁特的音乐家如何应对战争和暴力

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This article focuses on musicians in the Lebanese capital of Beirut, and analyzes their diverse and often contradictory reactions to the ongoing violence and to war in Lebanon. They generally respond in one of two opposing ways, either by trying to ignore it and to concentrate on music making or by siding with one group of the society and becoming involved in protest and/or propaganda. Between these two extremes, however, this article highlights a range of more nuanced positions and dynamics, including opportunism, cynicism, anger, and fascination with violence. The article further shows that violence does not stop at the Lebanese borders, or within the Middle East, but includes structural and symbolic violence in Europe and the USA.View full textDownload full textRelated var addthis_config = { ui_cobrand: "Taylor & Francis Online", services_compact: "citeulike,netvibes,twitter,technorati,delicious,linkedin,facebook,stumbleupon,digg,google,more", pubid: "ra-4dff56cd6bb1830b" }; Add to shortlist Link Permalink http://dx.doi.org/10.1080/03007766.2011.539825
机译:本文重点介绍黎巴嫩首都贝鲁特的音乐家,并分析他们对黎巴嫩持续发生的暴力和战争的不同反应,并且常常是相互矛盾的。他们通常以两种相反的方式之一做出反应,要么是试图忽略它,而专注于音乐创作,要么是与社会中的一个群体在一起并参与抗议和/或宣传。但是,在这两个极端之间,本文重点介绍了一系列更为细微的立场和动态,包括机会主义,犬儒主义,愤怒和对暴力的迷恋。这篇文章进一步表明,暴力行为并没有在黎巴嫩边界或中东地区停止,而是包括了在欧洲和美国的结构性和象征性暴力行为。查看全文下载全文相关的var addthis_config = {ui_cobrand:“ Taylor&Francis Online”, services_compact:“ citeulike,netvibes,twitter,technorati,美味,linkedin,facebook,stumbleupon,digg,google,更多”,发布:“ ra-4dff56cd6bb1830b”};添加到候选列表链接永久链接http://dx.doi.org/10.1080/03007766.2011.539825

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