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首页> 外文期刊>Organization: The Critical Journal of Organization, Theory and Society >Looking elsewhere: Howard S. Becker as unwilling organisational theorist
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Looking elsewhere: Howard S. Becker as unwilling organisational theorist

机译:放眼其他地方:霍华德·贝克尔不愿意担任组织理论家

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摘要

This article explores the idea of Howard S. Becker as organisational theorist. It examines some of the principal conceptual imagery in Becker's work and considers the significance of this imagery for how organisations are seen' (conceptualised) and looked at' (analysed). To this end, a critical comparison of Becker's concept of world and Bourdieu's concept of field is undertaken. By his own admission, Becker recognises that some of his key studiesof art worlds, jazz musicians, educational environments and so forthmight be recast as centrally about organisations'. However, it is argued that Becker is something of an unwilling' organisational theorist; not in the sense that he avoids or is ignorant of the conceptual debates invoked by that term, but in as much as formal theory without object is profoundly at odds with key aspects of his sociological practice. Accordingly, this article centrally considers how Becker has consistently looked elsewhere' in much of his work. Looking elsewhere', it is proposed, involves reframing key conceptual and methodological problems such that they are amenable to research. It also involves an often radical rejection of the framing of certain kinds of problem, points towards alternative modes of analysis and investigation and entails the development of conceptual imagery expressly intended to avoid the restrictions and confinement of now dominant forms of analytical convention.
机译:本文探讨了作为组织理论家的霍华德·贝克尔的想法。它研究了贝克尔作品中的一些主要概念性图像,并考虑了该图像对于组织如何“观察”(概念化)和“观察”(分析)的重要性。为此,对贝克尔的世界观和布迪厄的场域观进行了批判性比较。贝克尔本人也承认,他对艺术界,爵士乐手,教育环境等方面的一些关键研究可能会以组织为中心进行重铸。但是,有人认为贝克尔是一个不愿意的“组织理论家”。不是在某种意义上说他避免或不了解该术语所引起的概念性辩论,而是在没有客体的形式理论中,与他的社会学实践的关键方面有着极大的分歧。因此,本文集中考虑了贝克尔在他的许多工作中如何始终如一地看待别处。提出了“在别处寻找”涉及重新设计关键的概念和方法问题,以使它们易于研究。它还涉及对某些类型问题的框架的经常性的根本拒绝,指向分析和研究的替代模式,并导致概念性图像的发展,其明确意图是避免限制和限制目前主要的分析形式。

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