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When Miss Manners Discovers Clip Art

机译:当小姐的礼仪发现剪贴画时

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摘要

The copy machine at my old job was the size of a small heifer. It stood in a stall made of three cubicle walls. Shredded paper was strewn on the floor like a sparse layer of hay. I could have sent an intern there to make copies for me. But doing it myself was a chance to get on my feet, stand next to the machine's warm flank and listen to the rhythmic sound of paper moving through its gut. Each day, my pastoral moment was marred by a fresh sign pinned above the copier. PLEASE, it said, in 128-point italicized serif type, REFILL PAPER TRAY AFTER USE. The words "paper tray" cast a forward shadow of black ink onto the page, as if the sun was setting behind them. Clip art floated around the words: a copier, a notarized document and a hand. Pushpins had been pressed so hard into the sign's corners that their soft ends almost penetrated the paper.
机译:我旧工作的复印机是小脚草丛的大小。它站在一个由三个小隔壁制成的摊位中。像稀疏的干草层一样散落在地板上。我本可以在那里派一个实习生来为我制作副本。但是自己这样做是有机会进入我的脚,站在机器的温暖的侧翼旁边,听听通过它的肠道的节奏声。每天,我的田园时刻被一个新鲜的标志贴在复印机上方的新标志。它请在128点斜体丝绸式型号中,使用后重新填充纸盘。 “纸盘”单词铸造了一个黑色墨水的向前阴影,就像太阳在它们后面一样。剪贴画围绕着词:复印机,公证文件和手。图钉已经被压在符号的角落中,使其柔软的末端几乎渗透着纸张。

著录项

  • 来源
    《Newsweek》 |2004年第4期|p.15|共1页
  • 作者

    Kate Hahn;

  • 作者单位

    Los Angeles;

  • 收录信息 美国《化学文摘》(CA);
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类 政治理论;
  • 关键词

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