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The Master of His Domain

机译:他的领域的主人

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Getting kicked off an airplane for being too fat turned out to be the best thing that ever happened to Kevin Smith. At first, of course, he was humiliated. "It felt like they stripped me of all my accomplishments by reducing me to 'fat guy in a little chair on a plane,'" says the indie-film director and comedian, known for such mid-'90s slacker classics as Clerks and Chasing Amy. He figured he had two options: "Crumble, wither, die, and go away. Or fucking rise, man. Rise above it." And rise he has. Ever since Smith was famously ejected from a Southwest Airlines flight in February 2010, he has taken back the power he lost that day and used it as fuel for an extraordinary career reinvention. "That moment was a kind of leap-off moment," he says. "That was where things really started to drastically change."
机译:由于太胖而开飞机被证明是凯文·史密斯有史以来最好的事情。当然,起初,他被羞辱了。独立电影导演兼喜剧演员说:“感觉就像是他们将我沦为'胖子,坐在飞机上的小椅子上,剥夺了我的全部成就。”,他以90年代中期较为懒散的经典作品如书记员和追逐者而闻名。艾米他认为自己有两种选择:“崩溃,凋零,死亡并消失。或者他妈的上升,伙计。上升到上面。”和他上升。自从史密斯(Smith)在2010年2月从西南航空的一次航班中退出以来,他就收回了当日失去的力量,并将其用作非凡的职业革新的动力。他说:“那一刻是一个跳跃式的时刻。” “那才是真正开始急剧变化的地方。”

著录项

  • 来源
    《Newsweek》 |2012年第7期|p.54-55|共2页
  • 作者

    Ari Karpel;

  • 作者单位
  • 收录信息 美国《化学文摘》(CA);
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类
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