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Shaping Galileo's genius

机译:塑造伽利略的天才

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GALILEO was professor of mathematics and physics at the University of Padua, Italy, from the end of the 16th century, a time when ancient learning was being recovered. In Galileo's Muse, Mark A. Peterson is anxious to show how much the great man owed to the legacy of Greek science, Roman technology, and the arts. Providing a lively overview of Renaissance poetry, painting, music, architecture and mathematics, he argues that these subjects must have been a source of inspiration for Galileo. There can be no doubt that Galileo considered Greek philosopher Archimedes a towering figure of the ancient world. Although not completely unknown in the Middle Ages, it was not until the 16th century that Archimedes's works received serious and scholarly attention. Their rediscovery opened a fresh vista on the world; their novelty fascinating to a young man who had been subjected to the tedium of the spent forces of Aristotlianism. Galileo proudly walked in the footsteps of Archimedes, often describing himself as his follower.
机译:GALILEO从16世纪末开始,是意大利帕多瓦大学的数学和物理学教授,那时正恢复着古老的学习。马克·彼得森(Mark A. Peterson)渴望在伽利略(Galileo)的缪斯(Muse)中展示这位伟人应归功于希腊科学,罗马技术和艺术的遗产。他提供了关于文艺复兴时期诗歌,绘画,音乐,建筑和数学的生动概述,他认为这些主题一定是伽利略的灵感来源。毫无疑问,伽利略认为希腊哲学家阿基米德是古代世界的高大人物。尽管在中世纪并不是完全不为人所知,但直到16世纪,阿基米德的作品才受到严肃的学术关注。他们的重新发现打开了世界的新视野。他们的新颖性吸引了一个年轻的年轻人,这个年轻人受到了亚里斯多德主义废军的沉重打击。伽利略自豪地走在阿基米德的足迹上,经常形容自己是他的追随者。

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  • 来源
    《New scientist》 |2011年第2835期|p.52|共1页
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  • 收录信息 美国《科学引文索引》(SCI);美国《化学文摘》(CA);
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  • 正文语种 eng
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