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Newer archaeologies of the soul: avatars of religious consciousness in modern European fiction

机译:灵魂的新考古学:现代欧洲小说中的宗教意识化身

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The juxtaposition of cultural eras and belief systems reached a new encyclopedic scale in poetic narratives and anthropological treatises from the Renaissance onward as we see in the works of Rabelais and Kircher. In the romantic age, Goethe’s completed Faust established a new epochal standard for probing the story of human spiritual development over millennia. Heirs to this rich tradition, authors such as Mann and Joyce felt liberated to re-examine mythological patterns and varieties of religious consciousness as a crucial heritage against the backdrop of modern strains of negation and deconstruction of belief systems. Combining self-critical irony with brilliant depictions of literary and psycho-historical avatars, their novels finally suggest a spiritual super-reality that emerges from the colossal repertory of evolutionary evidence.
机译:从拉贝莱和基彻的作品中可以看出,从文艺复兴时期开始,文化时代和信仰体系的并置在诗歌叙事和人类学论文中达到了新的百科全书规模。在浪漫时代,歌德完成的《浮士德》确立了一种新的时代标准,用以探讨千年来人类精神发展的故事。作为这种丰富传统的继承人,曼恩和乔伊斯等作家感到解放,是在现代的否定主义和对信仰体系的消解的背景下,重新审视神话模式和宗教意识的多样性作为至关重要的遗产。他们的小说将自我批判的讽刺与对文学和心理历史化身的精妙描绘相结合,最终提出了一种精神上的超现实主义,这种超现实主义源于进化证据的巨著。

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