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The Risorgimento and English literary history, 1867-1911: the liberal heroism of Trevelyan's Garibaldi

机译:里戈佐缅多和英国文学史,1867年至1911年:特雷维扬的加里波第的自由英雄主义

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This article explores the relationship between Italian heroism and literary history in relation to G.M. Trevelyan's Garibaldi trilogy. It firstly summarises some important features of the Victorian culture of public moralism that shaped Trevelyan's early work. It then discusses the influence of the poet, novelist and man-of-letters, George Meredith, on Trevelyan's Garibaldi books and historical practice. The comparison of Meredith and Trevelyan suggests that Trevelyan's Garibaldi trilogy should be understood as part of a project self-consciously undertaken by Victorian literary and political elites to consolidate, celebrate and, less frequently, to critique British liberal culture and politics. The article concludes that while a Mazzinian notion of dolcezza may have influenced Trevelyan's notion of the hero, his interest in the Risorgimento was ultimately motivated by the usefulness of Italy and Garibaldi in promoting what he considered to be a distinctly ‘English’1 1. ‘English’ was the term more commonly used by Trevelyan to denote the national and literary identity of the Victorians and Edwardians and ‘England’ or ‘English’ were the dominant terms of the liberal patriotic lexicon of the 1850s and 1860s. For more on this point, Parry (2006, 33) and Mandler (2006, 66). When the reference is specifically to the state, this article deploys the term ‘Britain’ or ‘British’. View all notes form of ethical patriotism, whose intellectual antecedents - Whig gradualism, constitutional compromise in the form of parliamentary monarchy and a hierarchy-inflected anti-Republicanism - stood in ambivalent relation to the concept of democratic nationality.View full textDownload full textKeywordsG.M. Trevelyan, Giuseppe Garibaldi, George Meredith, Risorgimento, literary history, liberalism, manlinessRelated var addthis_config = { ui_cobrand: "Taylor & Francis Online", services_compact: "citeulike,netvibes,twitter,technorati,delicious,linkedin,facebook,stumbleupon,digg,google,more", pubid: "ra-4dff56cd6bb1830b" }; Add to shortlist Link Permalink http://dx.doi.org/10.1080/13532944.2010.506294
机译:本文探讨了意大利英雄主义与文学史有关G.M. Trevelyan的加里波第三部曲。首先总结了维多利亚时期公共道德文化的一些重要特征,这些特征塑造了特雷维扬的早期作品。然后讨论了诗人,小说家和文学家乔治·梅雷迪思(George Meredith)对Trevelyan的Garibaldi书和历史实践的影响。梅雷迪思和特雷维扬的比较表明,特雷维扬的加里波第三部曲应该被理解为维多利亚文学和政治精英自觉开展的,巩固,庆祝和较少批评英国自由文化和政治的项目的一部分。文章得出的结论是,虽然马扎尼式的dolcezza概念可能影响了Trevelyan的英雄概念,但他对Risorgimento的兴趣最终是受意大利和Garibaldi在推广他认为独特的“英语” 1方面的作用所激发的1.“英语”是Trevelyan更常用的术语,用于表示维多利亚时代和爱德华七世时代的民族和文学特性,“英格兰”或“英语”是该术语的主要术语。 1850年代和1860年代的自由主义爱国词典。有关这一点的更多信息,请参阅Parry(2006,33)和Mandler(2006,66)。当提到国家时,本文使用术语“英国”或“英国”。查看所有有关道德爱国主义的说明,其知识分子的先行者-辉格党渐进主义,议会君主制形式的宪法妥协和受等级制度影响的反共和主义-与民主国籍概念有着矛盾的关系。全文全文下载全文。 Trevelyan,Giuseppe Garibaldi,George Meredith,Risorgimento,文学史,自由主义,男子气概相关的变量add add_id google,more“,发布号:” ra-4dff56cd6bb1830b“};添加到候选列表链接永久链接http://dx.doi.org/10.1080/13532944.2010.506294

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