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Hundreds of Hands Create A Portrait of a Nation The Archive of Folk Culture Celebrates 75 Years

机译:数百只手创造了国家肖像民间文化档案馆庆祝成立75周年

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In 1928 when Librarian of Congress Herbert Putnam invited Robert W. Gordon to become "specialist and consultant in the field of Folk Song and Literature," Gordon had already conceived and launched his lifetime mission to collect the entire body of American folk music. He called it a "national project with many workers." Gordon attended Harvard University between 1906 and 1917 and then left in order to devote all his free time to this collecting enterprise. Supporting himself through teaching, writing and the occasional grant, Gordon traveled from the waterfronts of Oakland and San Francisco, Calif., to Asheville, N.C., and Darien, Ga., collecting and recording folk songs with his Edison wax-cylinder machine. He wrote a monthly column in Adventure magazine, "Old Songs That Men Have Sung," asking readers to send in copies of all the folk songs they could remember. And he contacted Carl Engel, chief of the Music Division at the Library of Congress, to discuss his dream and seek institutional support.
机译:1928年,国会图书馆馆长赫伯特·普特南(Herbert Putnam)邀请罗伯特·W·戈登(Robert W. Gordon)成为“民间歌曲和文学领域的专家和顾问”,戈登已经构思并发起了他的终生使命,即收集整个美国民间音乐。他称其为“有许多工人的国家项目”。戈登(Gordon)在1906年至1917年间就读于哈佛大学,然后离开以将他所有的空闲时间都投入到这家收集公司中。戈登通过教学,写作和偶尔的资助来维持生计,他从奥克兰和加利福尼亚的海滨到北卡罗来纳州的阿什维尔和佐治亚州的达里恩,用他的爱迪生蜡缸机收集和录制民歌。他每月在《冒险》杂志上写一篇专栏文章《男人唱过的老歌》,要求读者寄出他们记得的所有民歌的副本。然后,他与国会图书馆音乐部负责人卡尔·恩格尔(Carl Engel)联系,讨论他的梦想并寻求机构支持。

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