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Development of Design Catalogue for Sustenance of Traditional Craft of Chamba Embroidery

机译:开发昌巴绣传统工艺设计目录

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Designs and motifs in traditional Chamba embroideries have deep rooted cultural significance. They were symbolic of the beliefs of the community who created embroidered masterpieces using the simplest of raw materials and stitches. The designs and motifs used were very specific to embroideries and characterized by the selective treatment given to them. In order to sustain this craft the author considered it crucial to document the original designs and motifs along with other aspects of the craft. The themes represented in embroidered coverlets of Chamba are well known and have been interpreted by many scholars. However, the varied motifs used in the embroideries need to be documented, which was the focus of this paper. In an exploratory field survey, it was observed that current embroiderers were not well versed in drawing and did not have access to the traditional themes, designs and motifs. Therefore, a "design catalogue" was developed for capacity building of artisans and for use as reference material to create awareness with respect to traditional themes, designs and motifs. This paper presents the research undertaken in the production of the "design catalogue", which included processing of 137 photographs of museum pieces, development and the classification of 768 sketched motifs. The observation of two different styles of motif (folk and miniature style) is noted, the development of the catalogue is described alongside subsequent intervention work with artisans, product development work and exhibition towards sustenance of the traditional craft of Chamba embroidery.
机译:传统昌巴刺绣中的图案和图案具有深厚的文化意义。它们象征着社区的信念,该社区使用最简单的原材料和针脚创造了刺绣杰作。所使用的设计和图案对刺绣非常特定,并通过对它们的选择性处理来表征。为了维持这种工艺,作者认为至关重要的是记录原始设计和图案以及工艺的其他方面。钱巴(Chamba)刺绣床罩所代表的主题是众所周知的,并已被许多学者解释。但是,需要记录绣花中使用的各种图案,这是本文的重点。在一项探索性实地调查中,观察到当前的绣花人不熟悉图纸,无法使用传统主题,设计和图案。因此,开发了一个“设计目录”,用于工匠的能力建设并用作参考材料,以提高人们对传统主题,设计和主题的认识。本文介绍了在“设计目录”的制作过程中所进行的研究,其中包括处理137件博物馆照片,发展和对768个素描图案进行分类。注意到观察到两种不同样式的主题(民间样式和微型样式),并描述了目录的发展,以及随后对工匠的干预工作,产品开发工作以及旨在维持Chamba刺绣传统工艺的展览。

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