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Dynamic Cutting Using Material Engagement with Textiles in Pattern Cutting for Fashion Design Practice

机译:用材料啮合与纺织品的动态切割,用于时尚设计实践

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Material engagement in fashion and textile design practice using pattern cutting is an overlooked aspect of creative development in the design of garments. This creative practice research is based in my artisanal practice of fashion and textile design, which involves designing and making garments through all stages of development by hand. Material engagement describes the relationship between materials and their handling by practitioners. This complex relationship connects the intentions of the practitioner and their embodied interactions with what materials afford through their handling. Research in the practice of creative pattern cutting is concerned with identifying how creativity occurs through pattern cutting. However, the criticality of material engagement in the pattern cutting process has been minimally expanded upon by fashion designers. In my research, I have identified that material engagement is foregrounded through questioning the conventional notion of the pattern as a plan or template. In this article, I suggest how theories that critique the classical separation of form and material can support this foregrounding of material engagement in garment cutting. Dynamic Cutting is a new method of experimental cutting for fashion and textile design which emphasizes designing the surface and form of the garment at the same time. Dynamic Cutting evidences that textiles are an integral part of cut-led garment design and designer accounts can evidence the variety in approaches using materials when cutting. This research applies a creative practice research methodology which combines design practice research, critical design and reflective practice perspectives. This methodology serves to surface tacit understandings of materials and how material engagement and material affordances are integral to dynamic form creation processes when cutting garments.
机译:使用模式切割的时尚和纺织设计实践的材料参与是服装设计中创造性发展的忽视方面。这个创意实践研究是基于我的时尚和纺织设计的工匠实践,这涉及通过手工开发的所有阶段设计和制作服装。材料啮合描述了材料之间的关系及其通过从业者的处理。这种复杂的关系将从业者的意图和他们所体现的互动与通过其处理提供的材料。创意模式切割实践的研究涉及识别通过模式切割的创造性。然而,图案切割过程中材料啮合的关键性已经通过时装设计师微微地扩展。在我的研究中,我已经确定了通过质疑模式的传统概念作为计划或模板来预测材料参与。在本文中,我建议如何批评形式和材料的经典分离的理论可以支持衣服切割中的材料啮合的这种前景。动态切割是一种用于时尚和纺织设计的实验切割方法,其强调同时设计衣服的表面和形式。动态切割证据表明,纺织品是切割衣服设计的一体部分,设计师账户可以证明在切割时使用材料的方法。本研究适用于创造性实践研究方法,该方法结合了设计实践研究,批判性设计和反思实践观点。该方法有助于表面默塞特理解材料以及材料啮合和材料充电程度如何是在切割服装时与动态形式创建过程中的一体。

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