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Modeling Multichannel Home Video Demand in the U.S. Motion Picture Industry

机译:模拟美国电影行业中的多通道家庭视频需求

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摘要

The U.S. motion picture industry has become increasingly reliant on posttheatrical channel profits. Two often-cited drivers of these profits are cross-channel substitution among posttheatrical channels and seasonal-ity in consumer preferences for any movie. The authors use a differentiated products version of the multiplicative competitive interaction model to investigate these two phenomena. They estimate the model using data from 2000 and 2001 on two posttheatrical channels in the U.S. market: purchase and rental home viewing channels. Contrary to expectations based on business press commentary, after controlling for seasonality and movie attributes, the authors find low cross-channel price and availability elasticity for both channels. To measure the extent of cross-channel cannibalization, they simulate a 28-day window of sequential release with either purchase or rental channel going first. They find that windowing reduces the sum of revenues across both channels, because more consumers choose to not purchase or rent when faced with older movies in their favored channel rather than to switch to the alternative channel with newer movies.
机译:美国电影业已越来越依赖于剧院后的渠道利润。经常提到的这些利润的两个驱动因素是戏剧后渠道之间的跨渠道替代以及消费者对任何电影的偏好的季节性变化。作者使用乘性竞争互动模型的差分产品版本来研究这两种现象。他们使用2000年和2001年在美国市场上的两个戏院后渠道上的数据对模型进行了估算:购买和出租的家庭观看渠道。与基于商业新闻评论的预期相反,在控制了季节性和电影属性之后,作者发现两个渠道的跨渠道价格和可用性弹性较低。为了衡量跨渠道食人化的程度,他们模拟了28天的连续发布窗口,其中购买或租赁渠道排在第一位。他们发现,窗口化会减少这两个渠道的收入总和,因为更多的消费者选择在他们偏爱的频道中观看较老的电影时选择不购买或租借,而不是转向使用较新电影的替代频道。

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