首页> 外文期刊>Journal of Latin American Cultural Studies: Travesia >‘I went to the City of God’: Gringos, guns and the touristic favela
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‘I went to the City of God’: Gringos, guns and the touristic favela

机译:“我去了上帝之城”:鹰,枪支和旅游贫民窟

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A regular tourist destination since the early 1990s, Rocinha - the paradigmatic touristic favela in Rio de Janeiro, Brazil - has seen the number of foreigners visitors grow considerably after the successful international release of City of God in 2003. In dialogue with the new mobilities paradigm and based on a socio-ethnographic investigation which examines how poverty-stricken and segregated areas are turned into tourist attractions, the article sheds lights on the ways tourists who have watched Fernando Meirelles's film re-interpret their notion of “the favela” after taking part in organized tours. The aim is to examine how far these reinterpretations, despite based on first-hand encounters, are related back to idealized notions that feed upon the cinematic favela of City of God while giving further legitimacy to it.View full textDownload full textRelated var addthis_config = { ui_cobrand: "Taylor & Francis Online", services_compact: "citeulike,netvibes,twitter,technorati,delicious,linkedin,facebook,stumbleupon,digg,google,more", pubid: "ra-4dff56cd6bb1830b" }; Add to shortlist Link Permalink http://dx.doi.org/10.1080/13569325.2011.562631
机译:自1990年代初以来,Rocinha(巴西里约热内卢的典范旅游贫民窟)已成为一个常规的旅游目的地,在2003年成功地将《上帝之城》国际释放后,外国游客的人数就大大增加了。与新的出行范式进行对话并根据一项社会人种学调查,该调查研究了如何将贫困和偏远地区变成旅游景点,从而阐明了观看费尔南多·梅雷莱斯电影的游客重新诠释其“贫民窟”概念的方式。参加有组织的旅行之后。目的是研究尽管基于第一手的相遇,这些重新解释在多大程度上与理想化的概念相关联,这些理想化概念取材于神城电影般的贫民窟,同时又赋予了其合法性。查看全文下载全文相关的var addthis_config = { ui_cobrand:“ Taylor&Francis Online”,servicescompact:“ citeulike,netvibes,twitter,technorati,delicious,linkedin,facebook,stumbleupon,digg,google,更多”,发布:“ ra-4dff56cd6bb1830b”};添加到候选列表链接永久链接http://dx.doi.org/10.1080/13569325.2011.562631

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