首页> 外文期刊>Journal of Latin American Cultural Studies: Travesia >The Memorial de los Detenidos Desaparecidos: Fragile memory and contested meaning in Post-dictatorship Uruguay
【24h】

The Memorial de los Detenidos Desaparecidos: Fragile memory and contested meaning in Post-dictatorship Uruguay

机译:洛斯Detenidos纪念馆Desaparecidos:乌拉圭独裁后的脆弱记忆和有争议的含义

获取原文
获取原文并翻译 | 示例
           

摘要

Nearly thirty years after the Uruguayan civil-military dictatorship (1973-1985) ended, the ways in which memory of this period is treated remains the subject of considerable contestation. In early 2010, controversy erupted over the filming of an advertisement for Sprite. During the shoot, the Memorial de los Detenidos Desaparecidos, conceived and constructed between 1998 and 2001 in homage to the victims of state terrorism, was covered up by the production company, rendering it camouflaged against the landscape of its location in Montevideo's Parque Vaz Ferreira. This episode demonstrates that rather than draw a line under the past, the construction and continued presence of the Memorial precipitates new debates over how memorial sites are interpreted and preserved. It provides an interesting point of departure from which to explore the fragility of memory in post-dictatorship Uruguay and the open-ended meanings of memorials, particularly within shifting judicial, political and urban contexts. Through analysis of the Memorial's aesthetics, peripheral location and the consumer-driven context it inhabits, this paper examines the Memorial's complexities and the threats to memorialisation in Uruguay, arguing that they are intimately tied to the broader struggles of state and society to address recent repression, which go beyond the dichotomies of remembering versus forgetting.View full textDownload full textRelated var addthis_config = { ui_cobrand: "Taylor & Francis Online", services_compact: "citeulike,netvibes,twitter,technorati,delicious,linkedin,facebook,stumbleupon,digg,google,more", pubid: "ra-4dff56cd6bb1830b" }; Add to shortlist Link Permalink http://dx.doi.org/10.1080/13569325.2012.694813
机译:乌拉圭军民专政(1973年至1985年)结束近30年之后,如何对待这一时期的记忆仍然是一个颇具争议的话题。在2010年初,有关为Sprite拍摄广告的拍摄引起了争议。在拍摄过程中,为纪念国家恐怖主义的受害者而在1998年至2001年间构思和建造的纪念德洛尼迪瓦·德萨帕雷西多斯纪念馆,被制作公司掩盖,使其在蒙得维的亚的帕克·瓦兹·费雷拉公园中被掩盖。这一集表明,纪念馆的建造和持续存在,而不是在过去划清界限,引发了关于如何解释和保护纪念馆的新辩论。它提供了一个有趣的出发点,可以用来探索独裁后的乌拉圭记忆的脆弱性和纪念馆的开放性含义,尤其是在司法,政治和城市环境变化的情况下。通过分析纪念馆的美学,周边位置以及它所居住的消费者驱动的环境,本文研究了纪念馆的复杂性和乌拉圭纪念馆所面临的威胁,认为它们与应对近期镇压的广泛国家和社会斗争密切相关,这超出了记住和忘记的二分法。 google,more“,发布号:” ra-4dff56cd6bb1830b“};添加到候选列表链接永久链接http://dx.doi.org/10.1080/13569325.2012.694813

著录项

相似文献

  • 外文文献
  • 专利
获取原文

客服邮箱:kefu@zhangqiaokeyan.com

京公网安备:11010802029741号 ICP备案号:京ICP备15016152号-6 六维联合信息科技 (北京) 有限公司©版权所有
  • 客服微信

  • 服务号