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Prototype of a pigments color chart for the digital conservation of ancient murals

机译:用于古代壁画数字保存的颜料色表原型

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Digital imaging has become a very important technique in the conservation of cultural art relics because it can nondestructively acquire the color and spectral image of cultural art relics for different applications. Imaging accuracy is one of the key factors in digital protection of cultural art relics. In order to improve the color and spectral accuracy for digital imaging of cultural art relics, the idea of making the specific color charts for different kinds of artworks is presented. Taking ancient Chinese Dunhuang murals as the specific object of study, a prototype pigments color chart of the Dunhuang murals (DCC), containing a six-step grayscale and 30 colored pigment samples, is made to investigate its pigment types and painting techniques. Under the premise of considering the difference in the number of samples in color charts, the DCC is tested and compared with the classic and widely used standard Macbeth colorchecker (CC) in two aspects: color correction for RGB imaging and spectral reconstruction for spectral imaging. The results show that the prototype pigments color chart is more effective and exhibits superior performance to the CC in both aspects for digital conservation of the Dunhuang murals. (C) 2017 SPIE and IS&T
机译:数字成像已成为文化遗产保护中的一项非常重要的技术,因为它可以无损获取文化遗产的色彩和光谱图像,以用于不同的应用。成像精度是对文化艺术品进行数字保护的关键因素之一。为了提高文化艺术品的数字成像的色彩和光谱精度,提出了制作针对各种艺术品的特定颜色图表的想法。以中国古代敦煌壁画为研究对象,制作了一个包含六步灰度和30种彩色颜料样本的敦煌壁画原型颜料色卡,以研究其颜料类型和绘画技术。在考虑色表中样本数量差异的前提下,对DCC进行了测试并与经典且广泛使用的标准Macbeth色彩检查器(CC)在两个方面进行了比较:用于RGB成像的色彩校正和用于光谱成像的光谱重建。结果表明,在敦煌壁画的数字保存方面,原型颜料的颜色表更加有效,并且在CC方面均表现出优于CC的性能。 (C)2017 SPIE和IS&T

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