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首页> 外文期刊>Journal of design history >Argentina '78 World Cup and the Echoes of Mexico '68: Internationalism and Latin American Design. An Intellectual History of Design in the 1960s and 1970s: Politics and Periphery
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Argentina '78 World Cup and the Echoes of Mexico '68: Internationalism and Latin American Design. An Intellectual History of Design in the 1960s and 1970s: Politics and Periphery

机译:阿根廷'78世界杯和墨西哥'68的回声:国际主义和拉丁美洲设计。 1960年代和1970年代的设计思想史:政治与外围

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摘要

The history of peripheral design in the 1960s and 1970s sketches a dynamic flow of designers and representative currents in different geographic scenarios, with interchange between Europe, North America and South America, permitting productive transfers of trans-local knowledge, reflected in the design of the 1968 Mexico Olympics and the 1978 Argentina Soccer World Cup. The two cases provide an opportunity to analyse the importation of ideas and their active appropriation by local peripheral cultures, revealing the circulation of international design trends and the processes of cultural transmission along the periphery. This comparative study reveals the similarities and differences between Mexico and Argentina in relation to how central models were received, particularly with regards to the early acceptance of the Ulm School of Design. The goal is to gain insight into the perspectives of the most important figures in the history of Latin American design. Within this framework, the after-effects of the Mexico Olympics are analysed to supplement other studies that lack a regional perspective. Latin America-viewed as 'peripheral modernity'-was moulded by the tension between centre and periphery. The North-South shift favoured interrelations, enabling design to merge tradition with the contemporary while forging strong ties between nation and politics.
机译:1960年代和1970年代外围设计的历史描绘了设计师和代表潮流在不同地理环境中的动态流动,在欧洲,北美和南美之间进行了交流,从而允许跨地方知识的生产性转移,体现在设计中。 1968年墨西哥奥运会和1978年阿根廷足球世界杯。这两个案例提供了一个机会,可以分析思想的输入以及当地周边文化对它们的积极使用,从而揭示国际设计趋势的流通以及周边文化的传播过程。这项比较研究揭示了墨西哥和阿根廷之间在如何获得中央模型方面的异同,尤其是在乌尔姆设计学院的早期接受方面。目的是深入了解拉丁美洲设计史上最重要人物的观点。在此框架内,对墨西哥奥运会的后遗症进行了分析,以补充缺乏区域视角的其他研究。拉美被视为“外围现代性”,是由中心与外围之间的张力所塑造的。南北转移有利于相互联系,使设计能够将传统与现代融合在一起,同时在国家与政治之间建立牢固的联系。

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