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首页> 外文期刊>Journal of design history >The Role of Trademark Law in the History of US Visual Identity Design, c.1860-1960
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The Role of Trademark Law in the History of US Visual Identity Design, c.1860-1960

机译:商标法在美国视觉识别设计历史中的作用,约1860-1960年

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摘要

Most design historians agree that visual (aka graphic or corporate) identity design began in Germany and/or Austria at the turn of the twentieth century, and that it was a flourishing field in the USA by the middle of the century. But design historians do not always agree on who the first US clients and practitioners of visual identity design were. Nor have they convincingly explained 1) why US businesses did not commission visual identity designs in the 1900s, 1910s and 1920s; 2) why a small but significant minority of US businesses simultaneously commissioned visual identity designs in the mid-1930s; or 3) why the vast majority of national and multinational US businesses suddenly opted to commission visual identity designs only a decade later, in the years immediately following World War II. Design historians have usually credited these changes to shifts in tastes, in designers' ambitions, or in the size or character of US businesses. In contrast, I argue that shifts in trademark law provide a far more concrete and convincing explanation for the limited adoption by US businesses of visual identity design before World War II, and their rapid embrace of it thereafter.
机译:大多数设计历史学家都同意视觉(aka图形或公司)身份设计始于20世纪初的德国和/或奥地利,并且到20世纪中叶它已成为美国蓬勃发展的领域。但是设计历史学家并不总是就视觉识别设计的第一批美国客户和实践者是谁达成共识。他们也没有令人信服的解释:1)为什么美国企业在1900、1910和1920年代没有委托视觉识别设计; 2)为什么一小部分美国企业在1930年代中期同时委托视觉识别设计;或3)为什么仅在十年后的第二次世界大战后的几年,绝大多数美国国家和跨国公司突然选择委托视觉识别设计。设计历史学家通常将这些变化归因于品味,设计师野心或美国企业规模或特征的变化。相比之下,我认为商标法的变化为第二次世界大战之前美国企业对视觉识别设计的有限采用以及随后的迅速采用提供了更为具体和令人信服的解释。

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