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The cultural entrepreneur and the creative industries: beginning in Vienna

机译:文化企业家与创意产业:始于维也纳

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In this paper on the creative industries and cultural entrepreneurship I take my point of departure in Richard Caves’ Creative Industries [Caves, R. (2000). Creative industries: Contacts between art and commerce. Cambridge, MA: Harvard University Press.]. While Caves draws heavily on economic analysis and contemporary sociology in his excellent analysis of these two topics, he does not use the sociological classics at all. The main purpose of the paper is an attempt to remedy this, by drawing attention to the possible contribution that the works of Max Weber, Emile Durkheim, and Georg Simmel can make to our understanding of the creative industries and cultural entrepreneurship. Since this paper was prepared as a keynote address for the 2006 conference of the Association for Cultural Economics International in Vienna, I also discuss Schumpeter’s ideas on art and entrepreneurship, ideas which grew out of Viennese culture.
机译:在关于创意产业和文化企业家精神的这篇论文中,我的出发点是Richard Caves的创意产业[Caves,R.(2000)。创意产业:艺术与商业之间的联系。马萨诸塞州剑桥:哈佛大学出版社。虽然凯夫斯在对这两个主题的出色分析中大量借鉴了经济分析和当代社会学,但他根本没有使用社会学经典。本文的主要目的是通过提醒人们注意Max Weber,Emile Durkheim和Georg Simmel的作品可能对我们对创意产业和文化企业家精神的理解做出的贡献来对此进行补救。由于本文是作为2006年维也纳国际文化经济协会会议的主题演讲而准备的,所以我还讨论了熊彼特关于艺术和企业家精神的思想,这些思想源于维也纳文化。

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