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The Transatlantic Sixties: Europe and the United States in the Counterculture Decade

机译:跨大西洋六十年代:反文化十年的欧洲和美国

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Fascination with the 1960s understandably stems from the wide range of political, social, economic, and cultural shifts of the decade which together have imbued these years with the rather broad characterization of the 'counterculture decade'. Whether through war, growing political activism, economic growth, shifts in the arts, fears regarding nuclear projects, or dramatic episodes of Cold War tension, the 1960s affected the lives of a wide range of people throughout the world. But whose decade was it? A product of the Erasmus Intensive Program's 2011 summer academy entitled 'Coming Together or Coming Apart: Europe and the United States in the 1960s', The Transatlantic Sixties is an interdisciplinary volume which speaks of this question by examining trans-Atlantic currents between America and Europe. In line with recent shifts in globalization studies, the essays within The Transatlantic Sixties attempt to move away from national models, 'to conceptualize larger shifts in historical consciousness'. Recent calls within American studies toward viewing the 1960s as a 'worlded decade', argue the volume's editors, are a welcome shift that 'disturb if not challenge notions of national distinctiveness'. To this end, the contributors examine the 1960s as a series of global events in an attempt to demonstrate how racism, discrimination, and social protest were not isolated national phenomena, but were intimately connected to broader postwar shifts in cultural perception.
机译:可以理解,对1960年代的迷恋源于该十年的广泛的政治,社会,经济和文化转变,这些转变共同使这些年具有“反文化十年”的相当广泛的特征。无论是通过战争,不断发展的政治活动,经济增长,艺术变化,对核项目的恐惧,还是冷战时期的紧张局势,1960年代都影响了世界范围内许多人的生活。但是那是谁的十年? 《跨大西洋六十年代》是伊拉斯In密集计划2011年夏季学院题为“聚在一起或分开:1960年代的欧洲和美国”的成果,是一本跨学科的书,通过考察美洲和欧洲之间的跨大西洋洋流来论述这一问题。 。与最近全球化研究的转变相吻合的是,《跨大西洋六十年代》中的论文试图脱离国家模式,“以概念化历史意识的更大转变”。该卷的编辑们认为,美国研究界最近呼吁将1960年代视为“世界十年”,这是一个可喜的转变,“即使不挑战民族特色的观念,也会造成干扰”。为此,贡献者将1960年代视为一系列全球性事件,试图证明种族主义,歧视和社会抗议不是孤立的民族现象,而是与战后文化观念的更广泛变化密切相关的。

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