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Visual Framing of the Early Weeks of the U.S.-Led Invasion of Iraq: Applying the Master War Narrative to Electronic and Print Images

机译:美国主导的伊拉克入侵初期的视觉构架:将主战叙述应用于电子图像和印刷图像

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摘要

A content analysis of 1,822 images from U.S. mainstream media-network and cable television news outlets, news Web sites, newspapers, and news magazines-revealed that the visual framing of the U.S.-led invasion of Iraq in 2003 shifted from conflict to human interest. During the campaign's first 5 weeks, 5 distinct scenarios-shock and awe, conquering troops, hero, victory, and control-often coalesced around iconic images and supported a "master war narrative" identified by other scholars. These visual frames reflected a government-promoted patriotic perspective seen in media content at the outset of previous U.S. wars, from the Civil War through the Culf War.
机译:对来自美国主流媒体网络和有线电视新闻媒体,新闻网站,报纸和新闻杂志的1,822张图像的内容分析显示,2003年以美国为首的对伊拉克的入侵的视觉框架从冲突转向了人类利益。在战役的前5周中,有5种不同的场景-震惊和敬畏,征服了军队,英雄,胜利和控制权-通常围绕标志性图像融合在一起,并支持其他学者确定的“大师级战争叙事”。这些视觉框架反映了从内战到海湾战争之前的美国战争爆发初期在媒体内容中看到的政府倡导的爱国主义观点。

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