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The networks of tropical architecture

机译:热带建筑网络

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The concept of tropical architecture is one that was constructed in the 1950s to link the work of modernist practitioners in a number of locations outside the West. Tropical architecture has been represented as a form of critical regionalism, in that it offers a language based in the conditions of the non-western world. While this may be true of the movement in the Americas, in the case of the British colonies of West Africa tropical architecture was located within the networks of modernist and colonial culture as much as it was place bound. Tropical architecture was established in the metropolitan architectural circles of the 1950s through the use of the term in books and journals, a conference and a course of specialisation in London. These forms of support assisted architects to create modern architecture in far-flung sites, under difficult conditions. Despite this enmeshment of the peripheral sites of practice with the colonial metropolis through communications, tropical architecture was seen as something other than colonial architecture. The changing political and economic opportunities at the end of the colonial period prompted architects to develop a post-colonial identity for architecture, which was done through the representation of their approach as one that could transcend national boundaries. Tropical Architecture in the Humid Zones, by Fry and Drew explicitly offers support for an imaginary architect who comes from a generic tropical zone. The influence of the metropolis on the culture of tropical architecture remained significant, even after independence. While the consistency of approaches that marked the work of the 1950s has been replaced by a multiplicity of attitudes to design, the contemporary literature, curricula and research on African architecture share an emphasis on its climatic conditions. This content, in turn, ties the approach to authoritative sources in the West, giving it an identity that links the local and the global in complex and interdependent ways.
机译:热带建筑的概念是在1950年代建立的,用于将现代主义从业者在西方以外的许多地方的工作联系起来。热带建筑被视为一种重要的区域主义形式,因为它提供了一种基于非西方世界条件的语言。虽然这在美洲运动中可能是正确的,但在西非的英国殖民地中,热带建筑位于现代主义和殖民文化网络的范围内,与它所处的范围一样多。热带建筑在1950年代的大都市建筑界中建立,其使用方法是在书籍和期刊中使用该术语,并在伦敦举行会议和专门课程。这些支持形式帮助建筑师在困难的条件下在遥远的地点创建了现代建筑。尽管通过通讯与殖民地大都市的外围实践场所交织在一起,但热带建筑被视为殖民建筑之外的东西。殖民时期末期不断变化的政治和经济机会促使建筑师发展出一种后殖民主义的建筑认同感,这​​是通过将他们的方法表示为一种可以超越国界的方法来完成的。 Fry和Drew撰写的《潮湿地区的热带建筑》明确为来自一般热带地区的虚构建筑师提供了支持。甚至在独立之后,都会对热带建筑文化的影响仍然很大。尽管标志着1950年代工作的方法的一贯性已被对设计的多种态度所取代,但当代文学,课程和非洲建筑研究都强调其气候条件。反过来,这种内容将方法与西方的权威资源联系起来,赋予它以复杂且相互依存的方式将本地与全球联系起来的身份。

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