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Ceramist, sculptor and painter

机译:陶艺家,雕塑家和画家

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Having graduated in Ceramic art at the State Institute of Art in Vibo Valentia, he attended the Faculty of Architecture at the University of Reggio Calabria. As a founding member of the Lamezia Archaeological Association and subsequently of "Magazzini Voltaire" (1986) as well as of the "Angelo Savelli Artecontemporanea" Center in Lamezia Terme (1993), he has contributed to preserving the fragile historical fabric and memorial structure of his territory, as well as producing and promoting events which brought him into contact with regional and national artistic realities. He has collaborated, as a designer, with the Archaeological Superintendence of Calabria, for which he has created precious works of historical reconstruction of ancient ceramic artefacts. In the evolution of his creative work, the 70s and 80s constitute a fertile season of research and experimentation suspended between painting and sculpture, with an attentive eye to all the linguistic elements offered by the artistic panorama of the moment, that was in full innovative ferment. Around 1990 he began to take an almost exclusive interest in ceramic sculpture. During these years he met and befriended Angelo Savelli, an exchange that contributed positively to Saladino's artistic growth. In fact, he matured and experimented with new modes of expression and ways of working, researching lightness of matter through ceramics while fully developing the strong spiritual component already inherent in his sculptural work.
机译:他毕业于Vibo Valentia国家艺术学院的陶瓷艺术专业,随后就读于雷焦卡拉布里亚大学建筑系。作为Lamezia考古学协会的创始成员,随后是Lamezia Terme的“ Magazzini Voltaire”(1986年)和“ Angelo Savelli Artecontemporanea”中心(1993年)的成员,他为保存脆弱的历史织物和纪念建筑做出了贡献他的领土,以及制作和推广活动,使他与区域和国家的艺术现实联系起来。作为设计师,他与卡拉布里亚考古督察合作,为此他创造了珍贵的古代陶器历史重建作品。在其创作的发展过程中,70年代和80年代构成了介于绘画和雕塑之间的研究和实验的肥沃季节,他着眼于当时艺术全景所提供的所有语言元素,这完全是创新的发酵。 。在1990年左右,他开始对陶瓷雕塑产生几乎完全的兴趣。在这些年里,他结识并结识了安吉洛·萨韦利(Angelo Savelli),这对萨拉丁诺的艺术发展做出了积极贡献。实际上,他已经成熟并尝试了新的表达方式和工作方式,通过陶瓷研究了物质的轻质性,同时充分开发了雕塑工作中固有的强大精神成分。

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