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Rites of passage: migrancy and liminality in Colum McCann's Songdogs and This Side of Brightness

机译:通行仪式:哥伦·麦肯的《歌舞女郎》中的流浪与禁欲与光明的一面

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摘要

This article deals with two novels by the Irish writer Colum McCann: Songdogs and This Side of Brightness. Reading the narratives of both texts through the work of anthropologist Victor Turner, the essay reveals how McCann's characters undergo processes of liminal experience, which occasion structural changes in their familial relationships and in their individual identity. Turner's work primarily focused on the ritual behaviours of tribal groups and how liminality was used as a physical means toward spiritual ends; I diagnose similar dynamics in McCann's two literary fictions.
机译:本文涉及爱尔兰作家哥伦·麦肯(Colum McCann)的两本小说:《 Songdogs》和《这边的光明》。通过人类学家维克托·特纳(Victor Turner)的工作阅读了这两种文本的叙述后,这篇文章揭示了麦肯的角色是如何经历门限经历的,这会导致他们的家庭关系和个人身份发生结构性变化。特纳的工作主要关注部落群体的仪式行为,以及如何将边际化作为朝着精神目的的一种物理手段。我在麦卡恩的两个文学小说中诊断出类似的动态。

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