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Musicians and the Creative Commons: A survey of artists on Jamendo

机译:音乐家与知识共享:Jamendo上的艺术家调查

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Piracy and the peer-to-peer diffusion of music deprive artists of income and constitute a challenge to music industry. Many consumers, especially in younger age groups, consider that is normal not to pay in order to listen to music yet artists have intellectual property rights. The reconciliation of these two features of the music market is increasingly difficult within the traditional business model of the music industry. This paper uses an original survey of artists whose music is diffused freely on the online platform Jamendo (the largest of its kind) and which uses Creative Commons (CC) licences rather than copyright firstly to examine why so many artists would adhere to such an approach and secondly what the artists feel about CC. Age is clearly a factor in the choice of CC licence type, as well as whether artists derive income from their music. The choice of CC over copyright is also found to be related to its greater flexibility, its role in the development of musical creation and its function as means of sharing. It can be seen as a basis for an alternative business model in the music industry, in which sales of albums no longer constitute the main source of artists' remuneration. (C) 2015 Elsevier B.V. All rights reserved.
机译:盗版和音乐的点对点传播剥夺了艺术家的收入,对音乐产业构成了挑战。许多消费者,尤其是年轻人群体,认为听音乐不付钱是很正常的,而艺术家却拥有知识产权。在音乐产业的传统商业模式中,音乐市场的这两个特征的协调变得越来越困难。本文使用了艺术家的原始调查,这些艺术家的音乐在在线平台Jamendo(同类最大的)上自由传播,并使用知识共享(CC)许可证而不是版权,首先调查了为什么这么多艺术家会坚持这种方法其次,艺术家对CC的感觉。年龄显然是选择CC许可类型以及艺术家是否从其音乐中获得收入的因素。人们还发现,CC对版权的选择与其更大的灵活性,其在音乐创作发展中的作用以及其作为共享手段的功能有关。可以将其视为音乐行业中另一种商业模式的基础,在这种商业模式中,专辑的销售不再构成艺术家薪酬的主要来源。 (C)2015 Elsevier B.V.保留所有权利。

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